I have not seen Tom Hooper's film version of Les Misérables, but, after reading this opinion piece, I want to.
http://opinionator.blogs.nytimes.com/2013/01/28/les-miserables-and-irony/?hp
Tuesday, January 29, 2013
Wednesday, January 23, 2013
Wes Anderson: playing with dolls
I tried to watch Wes Anderson's latest film, Moonrise Kingdom, but had to stop after twenty minutes. It was unwatchable. I finally understand why.
Moonrise Kingdom is the latest iteration of a style of filmmaking that Anderson has been perfecting since The Life Aquatic with Steve Zissou, in which the director plays with expensive dolls in expensive doll houses, and makes us watch.
It wasn't always this way. Actors were once allowed to act in Anderson's films. Let's compare a scene from Bottle Rocket, his first feature film, to one from Zissou, his fourth:
The Bottle Rocket clip captures fluid action and dialogue. It's funny. The camera allows the audience to pick up visual cues for themselves, such as the child-sized scooter and the yellow jumpsuit, before they are mentioned or ridiculed by actors. The actors emote naturally. Some things are left to the imagination. For example, I imagine the Lawn Wranglers are child-like adults who wear cowboy hats, lassos, and toy guns while seated on riding mowers.
In the Zissou clip, the papier-mâché shark is more animated than the actors. By framing his actors in the windows of the sub -- his submersible dollhouse -- Anderson intensifies my feeling that he is remotely manipulating them within a confined space. We can feel each of the sympathetic hands on Zissou's shoulders being gently lifted and placed by Anderson himself. Every feeling is explicitly represented by an adjustment to an actor. For example, we know that Anjelica Houston's character is happy that the shark will not be blown up, because the camera pans to her, zooms in, and she smiles. Got it.
There is nothing amateurish or even less than brilliant about Anderson's style. When he plays with actual dolls in actual dollhouses, as he did in the stop-motion animated film Fantastic Mr. Fox, the result is watchable, likable, even enjoyable. The trouble is that Anderson reduces his real life actors' (Oscar nominees and winners) natural acting abilities to the limits of what dolls can do. It's creepy.
Where do Rushmore and Tenenbaums fit in? I suspect that reexamination will show them to be his transitional pieces, with Anderson giving in unwittingly to primal urges of his attraction to dolls and their homes. Think of those kids in Rushmore. Think of that house in Tenenbaums.
Moonrise Kingdom is the latest iteration of a style of filmmaking that Anderson has been perfecting since The Life Aquatic with Steve Zissou, in which the director plays with expensive dolls in expensive doll houses, and makes us watch.
It wasn't always this way. Actors were once allowed to act in Anderson's films. Let's compare a scene from Bottle Rocket, his first feature film, to one from Zissou, his fourth:
The Bottle Rocket clip captures fluid action and dialogue. It's funny. The camera allows the audience to pick up visual cues for themselves, such as the child-sized scooter and the yellow jumpsuit, before they are mentioned or ridiculed by actors. The actors emote naturally. Some things are left to the imagination. For example, I imagine the Lawn Wranglers are child-like adults who wear cowboy hats, lassos, and toy guns while seated on riding mowers.
In the Zissou clip, the papier-mâché shark is more animated than the actors. By framing his actors in the windows of the sub -- his submersible dollhouse -- Anderson intensifies my feeling that he is remotely manipulating them within a confined space. We can feel each of the sympathetic hands on Zissou's shoulders being gently lifted and placed by Anderson himself. Every feeling is explicitly represented by an adjustment to an actor. For example, we know that Anjelica Houston's character is happy that the shark will not be blown up, because the camera pans to her, zooms in, and she smiles. Got it.
There is nothing amateurish or even less than brilliant about Anderson's style. When he plays with actual dolls in actual dollhouses, as he did in the stop-motion animated film Fantastic Mr. Fox, the result is watchable, likable, even enjoyable. The trouble is that Anderson reduces his real life actors' (Oscar nominees and winners) natural acting abilities to the limits of what dolls can do. It's creepy.
Where do Rushmore and Tenenbaums fit in? I suspect that reexamination will show them to be his transitional pieces, with Anderson giving in unwittingly to primal urges of his attraction to dolls and their homes. Think of those kids in Rushmore. Think of that house in Tenenbaums.
Tuesday, January 15, 2013
Gar, remember?
GAR! extension. It's been a while. In the last few months I have been working on overhauling the opening section of GAR! book one. I tossed out some of the backstory, including this excerpt, which was part of chapter one.
Set up: A small coastal town is struck by a meteorite. Nobody but nine year old Ben McIntyre, who finds the meteorite, seems to recognize the devastation.
Set up: A small coastal town is struck by a meteorite. Nobody but nine year old Ben McIntyre, who finds the meteorite, seems to recognize the devastation.
Chapter One: The Meteroite
Ben heard a rushing sound outside. He
looked up from his Sketch-A-Roo and saw a bright light through the window.
WOOSH! BOOM!
His grandparents’ house shook. Drawers
of utensils fell to the floor. Ben crawled under the dining room table for
cover.
A minute passed. The shaking stopped.
Ben’s father came inside through the kitchen
door. “Ben, I need your help out here.” He said it as if it were an ordinary day. “Round
up the pigs. They’re loose.”
Ben came out from under the table. He
stood and brushed himself off, leaving his Sketch-A-Roo, now blank, on the floor.
“The pigs? But—” Ben’s gaze traveled through
the haze of plaster dust into the kitchen, automatically seeking out his mother.
She looked lost. Her eyes were foggy. “Mom, are you okay?”
“Go ahead, Ben,” she said, pointing to the door.
Ben’s Grandma Verbena was busy
retrieving a bucket and mop from the hall closet.
His father barked, “Outside. Let’s go!”
Ben crossed the kitchen and pushed past
his father. He stepped outside and blinked at the blazing sun. He checked his watch, a
hand-me-down for his ninth birthday. The watch showed ten A.M. but the hands
were frozen. Ben tapped on the glass and wound the stem. Nothing. His watch had
stopped. “Great.”
A gust of wind blew past. Ben smelled
something, but couldn’t place it. He pushed his glasses up his nose and walked toward
the side of the barn where the pigpen was. The gate was open, but the pigs were
inside, huddled together, sniffing at each other. “I thought you got out,” Ben
said. They ignored him. He closed the gate and felt a prickling sensation at the back of his neck. “Ehh.”
The Walker farm spread up from a valley
to a rise overlooking the town of Ada. Ben decided to walk up the hill and have
a look from the edge of his grandparents’ property. He glanced back at the
house. If I hurry, they won’t know I’m
gone.
Ben navigated between two rows of tobacco.
His small frame, dark hair, and white on blue clothes, allowed him to blend into the shadows. The ground felt strange, spongy beneath his feet. He
looked back to the house again. The terrain appeared wavy. "That’s weird.”
Ben reached the top of the hill. “Holy
moly!” A long and deep gash had been torn into the earth. It started at the
bay, ran through Ada, and ended at the Mud River. Downtown Ada was gone. Trees
obscured Ben’s view of the nearest street. He couldn’t see if there were
people. He couldn’t see if anyone had survived.
He ran down the hill toward town.
Breaking through the brush at the edge
of First Street, Ben could see that the gash had swallowed the two square
blocks that comprised Ada’s downtown. The remnants of buildings and trees
looked as though they had been cut on a plane, as if a table saw had run
through them. Ben walked over to what remained of the florist shop and looked
through the window. It was exposed on the other side like the back of a
dollhouse. He could see the interior of a store across the gash. Ben was
confused.
If
something sliced through here, wouldn’t there be debris inside these buildings?
But there was almost no rubble beside
the gash, and none inside the buildings. It was as if that part of town had
been erased.
Ben continued down First Street toward
the bay. To his right he saw a sidewalk, the park, and the library, all intact.
To his left he saw the interiors of the buildings on the other side of the void
left by the gash, all that remained of downtown.
Ben looked back at the street and saw a
person, a man, staring at the ground.
“Hey! Sir? Are you all right? What
happened?” Ben asked.
“What?” The man looked dazed.
“What happened to the town?”
“What?” The man didn’t seem to
understand.
A woman emerged from the front half of
the post office, startling Ben. She seemed lost.
“Ma’am? Can I help you?”
“Have you seen my broom? I need to get
things ready.”
“No, Ma’am,” Ben said. “Ready for
what?”
The man turned to Ben. “Yes, I need my
sledgehammer.” His eyes seemed to snap into focus.
“I, ah, I don’t see any brooms or, or
hammers,” said Ben, stepping away from the people. As he began to turn, Ben
noticed more people coming out into the street. They too seemed dazed. Ben
heard one ask another for a broom.
Ben had a feeling of dread. What’s wrong with them? Have they seen other
people? Dead people? Sawed off body parts?
Ben spoke to another nearby man. “Is
everyone…okay? Does anyone need help?”
The man ignored Ben and placed a coiled
piece of rope in the middle of the street.
Ben backed away from the man and
inspected the rest of the storefronts on First Street. He was relieved not to
find any gruesome scenes. But when he turned around, he was surprised to see
more people out in the street. They were setting out ropes and ladders and
brooms and hammers.
“What are you doing?” Ben asked a woman
carrying a stepladder out of a store.
She did not respond.
Why
aren’t they looking for missing people? Why aren’t they talking?
Goose bumps formed on Ben’s arms. He
refocused on the void in front of him. He gulped as he peered over the edge. It
went down and down. Standing out in the August sun, the gash seemed like the
darkest place Ben could imagine. He continued looking in, cupping his hands
over his eyes to help them adjust to the absence of light, but he couldn’t see
anything at the bottom. He wasn’t sure there was one. He felt dizzy and noticed
a sulphurous smell in his nose. He stood.
When Ben turned back to the street,
there were more people and tools. The people were quiet and calm. They seemed
organized.
They’re
giving me the creeps. But at least no one seems to be hurt.
Ben suddenly wanted to leave town and
flee the silent workers. He turned around and started walking, following the
gash in the earth toward the river.
I
can find what caused this. The flash in the sky…I think it was a meteorite.
As Ben walked, he imagined a pitted,
metallic rock at the end of the gash. It
won’t look like anything else here. He wondered how big the meteorite would
be. From what he remembered from reading about meteorites at school, it might
be no bigger than a kernel of wheat. It’s
got to be bigger than that. It split open the earth. Wait, don’t they usually
make craters?
Ben
followed the gash into marshland. He noticed that here, too, the area to
his left looked relatively unaffected, but to the right the marsh grasses and
clumps of peat looked as though they had been sawed off right at the edge of
the gash. Ben stopped and ran his hand along a row of remaining cattails. The
brown seed heads were warm from the sun. Ben looked beyond them into the void.
“Hey, there’s the bottom. I can see
it!” Ben thought it must be a hundred yards down.
Ben continued tracing the gash from the
marsh through a wooded area toward the river. As Ben came out of the woods, he
saw that the gash became narrow and shallow, and eventually petered out along a
wide, slow moving stretch of the Mud River.
Ben took off his shoes, placing them on
a flat rock next to the gash. He rolled his pants, waded into the river, and
began his search for the meteorite. Crossing back and forth, Ben used landmarks
on the riverbank to keep track of where he had been. He searched for two hours,
but didn’t find the meteorite.
He sat on a log in the middle of the
river. “What was I thinking? It probably wasn’t even a meteorite, leaving a
trail like this…” Ben said to himself. Looking back to his left, he could see
the path the gash had cut through the trees.
Does
the gash seem narrower? I don’t know…
Ben splashed some water on his face and
neck. Turning his head to the side he saw something upstream beneath the
water’s surface, a furrow in the sand. He looked both ways. The furrow was
aligned with the opening through the woods. He rose and, careful not to cloud
the water, walked alongside the furrow until it narrowed to the width of his
finger. Ben stopped. There, within the last bit of disturbed river bottom, Ben
saw something glow. He stepped closer. It looked like a peapod. And inside
there was a little speck, the tiniest of specks, of gold winking at him.
“This is it!” Ben’s voice trembled.
He took another step. Sand swirled,
obscuring the glowing peapod. When Ben could see the riverbed again, the furrow
was gone and the peapod partially buried. He bent down, dug his fingers into
the bottom of the river, and made a fist around the peapod. Ben stood and
watched the sandy riverbed trickle out from the space between his fingers. He
opened his hand and stared at the peapod in his palm. Its glow began to dim.
“Wow.” Ben scratched at the peapod with
his fingernail, trying to loosen the gold speck. It wouldn’t budge. Ben’s hand
tingled. A shiver ran up his spine. He put the peapod in his pocket and hurried
back to the riverbank.
“What the—” Ben’s shoes and the rock
that he had put them on were gone. “They were right here. Right next to the...”
Ben then realized that the gash was gone too. He tried digging in the ground.
It was unyielding, like cement. “Come on!” Ben went back into the woods. The
gash was still there, a few yards in. “It’s getting…shorter? It took my shoes.
Man!” Ben ran back to where his shoes had been and tried digging again, this
time with a stick. He could not make a dent in the hard earth.
“I need to tell someone.”
* * * *
Ben returned to town with scraped,
muddy feet and a meteorite in his pocket. He noticed that the gash had gotten
smaller here too, but it was still at least as wide as a street. The town was
full of people now and they were silently, robotically dismantling the remains
of downtown on either side of the void.
Ben watched the butcher throw a
weighted rope to someone on the other side of the gash. That man looped the
rope over the remains of a small tree. The butcher and a few other men pulled
until the tree and the rope fell into the void. Someone handed the butcher
another rope and they started the process over again.
“What are you doing?” Ben asked.
The butcher looked at Ben but didn’t
answer.
Well
at least he heard me.
A woman said in a robotic voice, “Why
aren’t you at story hour?”
Ben didn’t know what she meant. They’re all bonkers. I want to go home.
* * * *
“Mom!” shouted Ben as he ran up the
driveway. “Mom! I’m sorry I’m late. People in town are acting like robots…and…”
Ben held his side. He had a cramp and was out of breath from running. “…I…I
found the meteorite…I have it,” he said. Ben opened the back door to his grandparent’s
house. The sun was setting behind him.
“Whoa, young thing. Hose off those feet
this instant!” said Grandma Verbena.
Ben blinked. The house looked
immaculate, cleaner and…sturdier than Ben had thought possible.
“Sorry, Grandma.” Ben hesitated. “Is
Grandpa home yet?”
“From where?” Ben’s grandmother looked
bewildered. “Ben, sometimes I don’t know what you’re talking about.”
Grandpa
probably got back right after I left. Or else how could they have fixed
everything so fast? Ben shook off his confusion and held up the peapod.
“See what I found?”
His grandmother smiled at him, but
didn’t look. “I said get those dirty feet out of this kitchen.”
Ben’s mother entered from the dining
room. “Ben! Your shirt’s filthy and you’re dripping sweat. Where have you been?
Where are your shoes? Oh, never mind. Wash your face and change clothes before
your father sees you.”
Ben went back outside and, gritting his
teeth, hosed off his feet. He saw clean clothes hanging on the line. After
wiping his hands and feet with the shirt he had been wearing, Ben grabbed a
clean one. He headed into the house to the bathroom to finish washing. While scrubbing
his hands over the sink, Ben heard his father come inside.
“I’ve thought it over Eleanor…there is
plenty for me to do here. And the land is in better shape than our place…I
think we should stay. I’ll work the farm and you help your mother around the
house.”
What?
But we have our own farm. This is Grandma and Grandpa’s place.
“Oh, wonderful. Momma, did you hear
that?”
“I did,” said Grandma Verbena. “I don’t
know how much help you’ll be Eleanor, but I’d like the company.”
Ben walked into the dining room.
His father said, “We can talk more
after dinner.”
Dinner was different that night. Ben
felt like he was waiting, perhaps for the continuation of the conversation that
had started before dinner. He wasn’t sure. He ate his chicken and boiled
potatoes. He watched his parents and grandmother for some sign of what was to
come. He got none. They ate silently and mechanically.
Why
aren’t they talking about the meteorite or what’s happening in town? Maybe they
don’t know. But where’s Grandpa and my uncles? Grandpa never misses dinner.
Grandma Verbena went into the kitchen
and Ben asked his parents, “Where are Grandpa and Uncle Joe and Uncle Mike?”
“They’re not here,” replied his mother.
“But where are they? Did something—”
“They’re gone,” his mother clarified.
“What?! Gone where?”
“Gone,” repeated his father. His face
was blank.
Ben seemed to be the only one
distressed by this news.
“Did they get swallowed by the gash in
the earth?” Ben asked. “That’s what happened to my shoes today.” He trembled.
“What are you talking about? You lost
your shoes?” said Ben’s father.
Just
tell them what happened. “A meteorite hit town. That’s where I was today. I
read about meteorites in school. I…I found this one in the river. See?” Ben
took the green object out of his pocket and held it up. His parents did not
look. Ben put it on the table. “It didn’t just hit town, it split open the
earth from the bay to the river. It went through downtown Ada, but where it
touched the buildings and everything…it’s like they were zapped out of
existence.” His pace quickened. “And…and, I found it, the meteorite, in the
river…and now somehow the earth is closing back up. It closed up over my shoes
before I could get them…and people seem to want to get rid of what’s left… What
if Grandpa is down there? Shouldn’t we look for him? Don’t you think we could
still get him out?”
“That’s not where he is,” said Ben’s
mother. Her eyes looked foggy.
Ben waited for her to say more. His
father spoke instead.
“Nothing like that happened to your
grandfather or uncles. What nonsense.” He leaned back in his chair and folded
his arms over his chest. “I’m not paying for a new pair of shoes,” he grumbled.
“Then what did
happen?” Ben picked up the peapod. “You’re not—”
“Put that leaf or whatever it is away!”
“But it’s not a leaf. I told y—”
“Ben!” Ben’s father took one breath and
then another. “We’ve had a long day. Let’s just cut out the nonsense tonight.”
“But what if—”
“I said, that’s enough!” Ben’s father slammed
the table with his hand.
Ben scowled. What is wrong with everyone!? They’re not listening.
Grandma Verbena came back in from the
kitchen and sat down. She nodded to her daughter.
“Ben, we have something more important
to discuss,” said Ben’s mother.
More
important than what happened to Grandpa?
Ben kept his eyes down.
“Ben, how would you like to live here?”
she asked.
“What? But what about Grandpa and Uncle
Joe and Uncle Mike—there isn’t room. And what about our house?”
“No, no, we’ll sell our house, honey.”
“So we won’t—I
mean, but there isn’t enough room for all of us here…”
“There’s plenty of room for the four of
us!” Ben’s mother laughed.
Why
isn’t anyone talking about Grandpa and my uncles?
His father said, “It’s settled then.”
Ben’s grandmother nodded and went back
to the kitchen.
“I’ll show you your new room,” said
Ben’s mother. She stood and waited for him.
“Okay, Mom.” Ben walked upstairs with
his mother.
Ben’s mother took him up to the room
that had belonged to his uncle Joe, but it was empty. There was no sign that
Eleanor’s brother had slept and grown and lived in that room.
Ben asked, “Whose room is this?”
His mother looked puzzled. “It’s your
room, dear.”
“But, didn’t Uncle Joe sleep here and
live here and everything…just yesterday? Where are all his things? Where will
he go?”
“I…I don’t know what you mean. We
cleaned the house today. I hope you like it. It’s bigger than your old room.”
Ben’s mother patted his back and left him in the doorway.
The room was spare. There was a bed,
dresser, desk, and chair. Ben looked under the bed, in the closet, and in the
desk and dresser drawers. The only thing he found was under a loose floorboard
at the bottom of the closet—an old notepad that had the word “Joe” written on
the front. That was all that remained of his uncle.
What’s
happening?
Ben took the green meteorite out of his
pocket and put it with his uncle’s notepad under the floorboard. It was hot and
stuffy in the room. Ben opened the window next to the bed. He decided to lie
down. Thinking about the meteorite and its path, he fell asleep.
West of Ada, the Mud River meanders
north before making its way east and spilling into the bay. A brackish swamp
fills the gap between Ada and the two bodies of water to the north and east. In
the early morning, Ben dreamt of this swamp. In his dream, water from the swamp
filled the gash left by the meteorite. Grasses, vines and trees from the swamp
began growing over the path that remained. Ben twisted in bed, still half in
sleep, imagining his grandfather and uncles fleeing town through the swamp. Ben
watched helplessly as they sank into the gash and…disappeared. The grasses grew
over them. Ben’s eyes opened. His heart was racing and he was covered in sweat.
He sat up and looked around at the unfamiliar surroundings.
Uncle
Joe’s room. No—it was just a dream. Just a dream. But where did they go?
Ben was lying on top of the bed covers.
He was still dressed in the clothes he wore the day before. He realized his
mother hadn’t checked on him during the night.
She always tucks me in.
Tuesday, January 8, 2013
Matt Damon finally goes sci fi (in Elysium)
Man of Steel, Warm Bodies, and Elysium are the three 2013 science fiction film trailers/teasers that gave me goose bumps. Trailers can be deceiving, I know, but a girl can hope.
District 9 was my favorite film of 2009, so I was especially excited to see Elysium's teaser.
See what you think.
And yes, I have seen the Star Trek Into Darkness trailer. It reminds me of the original Star Trek series. Need I say more?
District 9 was my favorite film of 2009, so I was especially excited to see Elysium's teaser.
See what you think.
And yes, I have seen the Star Trek Into Darkness trailer. It reminds me of the original Star Trek series. Need I say more?
Subscribe to:
Posts (Atom)